Home Worship for March 28, 2021

Dear members of God’s family at Resurrection Church,

Today we enter into the sacred drama of Holy Week when we are taken more deeply into the central realities of our faith. If you are able, join the congregation with your own worship at home at 10am EDT on Sunday or otherwise engage our home worship resources in ways appropriate to your circumstances.

Worship Service

A pre-recorded worship service, complete with readings, Pastor Linman's sermon, prayers, and music will broadcast at 10am EDT on Sunday, March 28, on our YouTube channel and will be available below: 

Worship material for March 28, 2021

The following have been posted to YouTube; here is the YouTube Playlist for March 28, 2021:

Music Notes

Hymn of the Day: ELW #351: "O Sacred Head, Now Wounded"
Tune: Hans Leo Hassler (1564-1612)
Text: Paul Gerhardt (1607-1676), based on Arnuf of Louvain

Originally from a Latin poem beginning "Salve mundi salutare" and attributed to either Bernard of Clairvaux (twelfth century) or Arnulf von Loewen (thirteenth century), "O Sacred Head" is one of seven sections to be used for meditation during Holy Week. Each section focuses on one aspect of Christ's dying body. Paul Gerhardt translated "Salve caput cruentatum," the seventh section of the Latin poem "Salve mundi salutare," into German as "O Haupt voll Blut und Wunden." James W. Alexander then translated the German into the English "O Sacred Head Now Wounded.” Deeply devotional, the text makes a very personal application of Christ's atoning death and confesses our gratitude and commitment to Christ.

This tune was originally a court song by the great Renaissance composer Hans Leo Hassler. The isorhythmic (all equal rhythms) setting was adapted from one of the harmonizations composed by Johann S. Bach for his St. Matthew Passion (1729). Many composers have written organ music based on this tune; various melodic and rhythmic versions exist. "O Sacred Head" has enjoyed great popularity since 1656; the hymn appears in all modern hymnals, in many languages and translations, and with various numbers of stanzas.

Choir Anthem: The Lamentations of Jeremiah, Timothy L. Krueger

This is a contemporary, English-language setting of the traditional three lessons from the first Nocturn of the service of Tenebrae: Lamentations 1:1-14. The music is a chant-based plainsong melody which is quite haunting, solemn, and beautiful.

Lesson 1

Here begin the lamentations of Jeremiah the Prophet:
Aleph.
How solitary lies the city, once so full of people!
How like a widow has she become, she that was great among the nations!
She that was a Queen among the Cities has now become a vassal.
Beth.
She weeps bitterly in the night, tears run down her cheeks;
Among all her lovers, she has no one to comfort her;
All her friends have dealt treacherously with her,
They have become her enemies.
Ghimel.
Judah has gone into the misery of exile and of hard servitude,
She dwells now among the nations, but finds no resting place;
All her pursuers overtook her in the midst of her anguish.
Daleth.
The roads to Zion mourn, because none come to the solemn feasts;
All her gates are desolate, her priests groan and sigh;
Her virgins are afflicted, and she is in bitterness.
He.
Her adversaries have become her masters,
Her enemies prosper,
Because the Lord has punished her for the multitude of her rebellions;
Her children are gone, driven away as captives by the enemy.
Jerusalem, Jerusalem, return to the Lord your God.

Lesson 2

Vau.
And from daughter Zion all her majesty has departed;
Her princes have become like stags that can find no pasture
And that run without strength before the hunter.
Zayin.
Jerusalem remembers in the days of her affliction and her bitterness
All the precious things that were hers from the days of old
When her people fell into the hands of the foe, and there was none to help her;
And the adversary saw her and mocked at her downfall.
Heth.
Jerusalem has sinned greatly, therefore has she become a thing unclean;
All who honored her now despise her, for they have seen her nakedness;
And now she sighs and turns her face away.
Teth.
Uncleanness clung to her skirts, she took no thought of doom;
Therefore her fall is terrible, she has no comforter;
“Behold, O Lord, my affliction, for the enemy has triumphed.”
Jerusalem, Jerusalem, return to the Lord your God.

Lesson 3

Jod.
The adversary has stretched out his hand to seize all her precious things;
She has seen the Gentiles invade her sanctuary;
Those whom you had forbidden to enter your congregation.
Kaph.
All her people groan as they search for food;
They sell their children for food to revive their strength.
“Behold, O Lord, and consider, for I am now beneath contempt.”
Lamech.
Is it nothing to you, all who pass by?
Behold and see if there is any sorrow like my sorrow,
Which was brought upon me, which the Lord inflicted on the day of his burning anger.
Mem.
From on high he sent fire, into my bones it descended,
He spread a net for my feet, and turned me back;
He has left me desolate and faint all the day long.
Nun.
My transgressions were bound into a yoke;
By his hand they were fastened together;
Their yoke is upon my neck; he has caused my strength to fail.
The Lord has delivered me into their hands, against whom I am not able to stand up.
Jerusalem, Jerusalem, return to the Lord your God.

Musical Reflection: Restore, Lamb of God, Mark Sedio (1954)

Listen carefully to hear this very clever arrangement of 2 Lenten hymn tunes.

Mark Sedio currently serves as Cantor at Central Lutheran Church in Minneapolis where his responsibilities are varied: organist, choirmaster, resident composer, worship planner and educator. He is also on the music staff of Luther Seminary in St. Paul. Sedio has served as a clinician and lecturer in the areas of worship, liturgy, adult and children's choirs, hymnody and psalmody, and cross-culture music.